I’m not ignorant. I’ve been digging up as much as I can find about them online. Their first child was at a sleepover fifteen miles away when she had an allergic reaction. Neither Jeremy nor Verity was there when it happened. And the second daughter drowned in the lake behind their home, but Jeremy didn’t arrive home until the search for her body was already in place. Both were ruled accidents. I can see why Corey is concerned, because I was, too, honestly. But the more I dig, the less I can find to be concerned about. Two tragic, unrelated accidents.
“And what about Verity’s car wreck?”
“It was an accident,” I say. “She hit a tree.”
Corey’s expression suggests he isn’t convinced. “I read there weren’t any skidmarks. Which means she either fell asleep or she did it on purpose.”
“Can you blame her?” I’m irritated that he’s making baseless claims. I turn around to finish the dishes. “She lost both of her daughters. Anyone who suffers through something like that would want to find a way out.”
Corey dries his hands on the dish towel and then grabs his jacket off the barstool. “Accidents or not, the family obviously has shit luck and a hell of a lot of emotional damage, so you need to be careful. Get in, get what you need, and leave.”
“How about you worry about the contractual details, Corey? I’ll worry about the research and writing part of it.”
He slips on his jacket. “Just looking out for you.”
Looking out for me? He knew my mother was dying, and he hasn’t checked in with me in two months. He’s not looking out for me. He’s an ex-boyfriend who thought he was going to get laid tonight, but instead, was quietly rejected right before finding out I’ll be staying in another man’s home. He’s disguising his jealousy as concern.
I walk him to the door, relieved he’s leaving this soon. I don’t blame him for wanting to escape. This apartment has had a weird vibe in it since my mother moved in. It’s why I haven’t even bothered fighting the lease, or informing the landlord that I’ll have the money in two weeks. I want out of this place more than Corey does right now.
“For what it’s worth,” he says, “congratulations. Whether you created this series or not, your writing led you to it. You should be proud of that.”
I hate it when he says nice things at the height of my irritation. “Thank you.”
“Text me as soon as you get there Sunday.”
“I will.”
“And let me know if you need any help moving.”
“I won’t.”
He laughs a little. “Okay, then.” He doesn’t hug me goodbye. He salutes me as he backs away, and we’ve never parted more awkwardly. I have a feeling our relationship is finally as it should be: Agent and author. Nothing more.
I could have chosen anything else to do on this six-hour drive. I could have listened to “Bohemian Rhapsody” over sixty times. I could have called my old friend Natalie and played catch-up, especially since I haven’t even spoken to her in over six months. We text occasionally, but it would have been nice to hear her voice. Or maybe I could have used the time to mentally prep myself for all the reasons I’m going to stay far away from Jeremy Crawford while I’m in his home.
But instead of doing any of that, I chose to listen to the audiobook of the first novel in Verity Crawford’s series.
It just ended. My knuckles are white from gripping the steering wheel so tightly. My mouth is parched from forgetting to hydrate on the drive over. My self-esteem is somewhere back in Albany.
She’s good. Really good.
Now I’m regretting having signed the contract. I’m not sure I can live up to that. And to think she’s already written six of these novels, all from the villain’s point of view. How can one brain hold that much creativity?
Maybe the other five suck. I can hope. That way, there won’t be much expectation for the final three books in the series.
Who am I kidding? Every time one of Verity’s novels releases, it hits number one on the Times.
I just made myself twice as nervous than when I left Manhattan.
I spend the rest of the drive ready to go back to New York with my tail between my legs, but I stick it out because thinking I’m not good enough is part of the writing process. It’s part of mine, anyway. For me, there are three steps to completing each of my books.
1) Start the book and hate everything I write.
2) Keep writing the book despite hating everything I write.
3) Finish the book and pretend I’m happy with it.
There’s never a point in my writing process where I feel like I’ve accomplished what I set out to accomplish, or when I believe I’ve written something everyone needs to read. Most of the time, I cry in my shower and stare at my computer screen like a zombie, wondering how so many other authors can promote their books with so much confidence. “This is the greatest thing since the last book I wrote! You should read it!”
I’m the awkward writer who posts a picture of my book and says, “It’s an okay book. There are words in it. Read it if you want.”
I’m afraid this particular writing experience will be even worse than I imagined. Hardly anyone reads my books, so I don’t have to suffer through too many negative reviews. But once my work is out there with Verity’s name on it, it’s going to be read by hundreds of thousands of readers with built-in expectations for this series. And if I fail, Corey will know I failed. The publishers will know I’ve failed. Jeremy will know I’ve failed. And…depending on her mental state…Verity may know I’ve failed.
Jeremy didn’t clarify the extent of Verity’s injuries when we were in the meeting, so I have no idea if she’s injured beyond the point of communication. There was very little online about her car wreck other than a couple of vague articles. The publisher released a statement shortly after the wreck stating Verity received non-life-threatening injuries. Two weeks ago, they released another statement that said she was recovering peacefully at home. But her editor, Amanda, said they wanted to keep the extent of her injuries out of the media. So, it’s a possibility they downplayed it all.
Or, maybe, after all the loss she’s experienced over the past two years, she simply doesn’t want to write again.
I guess it’s understandable they’d need to ensure the completion of the series. The publishers don’t want to see their biggest source of income crash and burn. And while I’m honored I was asked to complete it, I don’t necessarily want to be thrown into that kind of spotlight. When I started writing, it wasn’t my goal to become famous. I dreamt of a life where enough people would buy my books and I could pay my bills and never be propelled into a life of riches and fame. Very few authors reach that level of success, so it was never a concern that it would happen to me.
I realize attaching my name to this series would boost sales of my past books and ensure more opportunity in the future, but Verity is extremely successful. As is this series I’m taking over. By attaching my real name to her series, I would be subjecting myself to the kind of attention I’ve spent most of my life fearing.
I’m not looking for my fifteen minutes of fame. I’m looking for a paycheck.
It’s going to be a long wait for that advance. I spent most of the rest of my money renting this car and putting my things in storage. I paid a deposit for an apartment, but it won’t be ready until next week, or maybe even the week after, which means what little I have left will need to go to a hotel once I leave the Crawford home.
This is my life. Sort of homeless, living out of a suitcase just one and a half weeks after the last of my immediate family members passes away. Can it get worse?
I could be married to Amos right now, so life could always be worse.
“Jesus, Lowen.” I roll my eyes at my inability to realize how many writers would kill for this kind of opportunity, and here I am thinking my life has hit rock bottom.
Ungrateful, party of one.